Past exhibitions and available works.

Curves is an expansive line of contemporary and postmodern homeware objects, founded in Toronto by Sean Brown, Iva Golubovic and Zachary Aburaneh.

The brand’s breakout collection of handmade, CD-shaped rugs contrasts the image of obsolete technology with the lasting impact of art, paying tribute to Brown’s favourite albums. What began as an attempt to infuse interiors with culture has expanded to include furniture, lighting and everyday homeware essentials.

Most recently, the brand’s signature knit tote, now approaching cult status, has brought colour, function and self-expression beyond the home. From its mindset to its designs, Curves occupies an aesthetic that feels both aspirational and familiar.

At the core of Curves’ creativity and modernity is an observant curiosity about the worlds of design and culture. Through product design and packaging, Curves aims to break from the monotony of urban design and encourage individual expression.

Its mission is to use art and functionality to evoke self-expression and retrace the details that shape personal taste.

The Curves ethos is rooted in the belief that design is not linear. It curves in both its expression and intention. Function can cross paths with whimsy, just as form can cross paths with play.

The first weekend of the Montreal Street Photography Festival presents a selection of international photographers bringing together diverse perspectives on what street photography can be.

Moving beyond the traditional conventions of the genre, the exhibition explores the streets through abstraction, unexpected compositions, quiet observations, and moments of nostalgia.

Presented at Foil Gallery, the exhibition brings these distinct visual languages into conversation, inviting viewers to slow down, look differently, and discover new ways of experiencing the world around us.

À travers peintures, installations, illustrations, sculptures et vidéos, l’artiste visuel LeBicar déploie un univers contrasté où sa fleur signature devient symbole de résilience et d’optimisme. 

L’exposition Résistance explore la douceur comme un geste radical. Une manière de tenir debout, de rester ouvert, de choisir la bienveillance dans un contexte où tout pousse parfois à se refermer. Ici, l’amour devient une arme.

À travers nos choix de vie et le bonheur au singulier, il peut émerger un bonheur au pluriel, collectif. Une façon de faire front, autrement. De résister à l’ambiance sociale lourde, avec intention.

Pour l’artiste, résister, aujourd’hui, c’est cultiver la nuance, accepter le doute, et rester disponible à voir le beau dans un monde parfois laid.

Peut-être qu’après tout, la bienveillance est une forme de résistance.